Source
Invest Like the Best with Patrick O'Shaughnessy — Michael Moritz - Lessons From 40 Years of Investing and Writing - [Invest Like the Best, EP.491] (September 16, 2026) ·
at 33:10 ▸
When this applies
when you are accountable for the output of a process you don't fully control (e.g., editing, legal review, committee output) and that output damages a key relationship
The takeaway
When your name is attached to work shaped by a process outside your control, you still own the relational fallout — so either control the final output more tightly or accept the risk consciously.
Why it works
Institutional editorial processes can transform raw material ('straw') into a final product ('bail') that no longer resembles the writer's intent, yet the writer bears relational consequences as if they had full authorship.
One level up
Authorship responsibility travels with the byline, regardless of how much control you actually had over the final product.
Where it stops holding
This stops working when the collaborator/subject understands and accepts institutional editorial processes as distinct from the writer's personal intent, so no relational damage occurs.
Detail
situation: Moritz contributed material for a Time profile of Jobs that went through heavy editorial reshaping, becoming 'malicious and nasty and underhanded' in tone.
decision: The published piece ran as edited; Moritz did not or could not block the final tone.
outcome: Jobs despised the piece (for good reason, per Moritz), the relationship with Jobs was permanently severed, and Moritz left Time partly because of his own disenchantment with the process.
lesson: Being part of an institutional production process doesn't protect you from the personal/relational consequences of its final output.
In their words
Back then at time, these things went through an editorial combine harvester. So what came out in the bail at the end probably didn't resemble very much of the straw that got fed in.